Monkey King Silhouette Hero

Monkey King
Journey to the West

A fable reborn for the global stage.

A groundbreaking immersive stage production based on one of China's most iconic literary stories, blending ancient fable, live performance and state-of-the-art theatrical technology.

Scenic Background

The Story

At the heart of Journey to the West is Sun Wukong, the Monkey King.

Powerful, rebellious and unforgettable, he begins as a figure of extraordinary strength and pride. His journey becomes one of transformation, discipline, loyalty and courage.

This production reimagines the legendary tale for a global audience through mythology, action, humour, emotion and spectacular stagecraft.

The Story of the Monkey King

Production Overview

Format

Live multimedia theatrical production

Genre

Action, mythology and family entertainment

Target Audience

Families, global theatre-goers, fans of Asian mythology and digital-native youth

Core Concept

A fusion of storytelling and technology featuring animatronics, acrobatics, digital projections and interactive sets

Production Scale

A US$15 million original production

A Cultural Legacy

A Cultural Legacy

Monkey King Journey to the West becomes more than a show. It becomes a cultural legacy, a fable reborn for the digital age.

It is a celebration of collaboration, identity, diversity and global storytelling.

The production will have a royalty payment to help children less fortunate than our own.

Multiple Revenue Streams

Box office sales
Group bookings
Digital sales
TV rights
DVD rights
Streaming rights
Merchandising
Music royalties
Sponsorships
Licensing

Beyond the Stage

Monkey King is designed as a foundational property for expansive ancillary revenue and brand extension across physical and digital arenas.

Merchandise

TV/Film Adaptations

Theme Park Licensing

Digital Collectibles

Gamified Assets

Music/Streaming

Amazon/Shopify Stores

The Investment Overview

Investor Protection Referenced in Supplied Materials

In an original and unique arrangement, the investment is fully insured against loss by an H2 Entertainment Insurance Solutions Policy.

The investment requirement is US$15 million.

This sum takes take the production through all phases of creation. Including set and costumes designs, music composition and recording, technical development, animatronics, special effects, marketing and rehearsals.

Proposed Profit Distribution

60%Investor
40%Producer
* All investment information is provided for discussion purposes only and is subject to independent due diligence. Values and distributions are proposed metrics planned for the project lifecycle but are subject to confirmation.

World Class Talent & Creative Personnel

Pierre Boileau

Director

Pierre Boileau

Pierre Boileau has devoted most of his career directing and writing circus, varieties, musicals, spectacular events and ice shows for live audience or television. He has built a solid reputation in all of these show business areas.

As a major aspect of his carrier, Pierre Boileau has worked on many bilingual and "royals" shows: He has produced 10 years of the Governor General Performing Arts Award's shows (most of them aired on CBC/SRC networks) and produced the installation of Michaëlle Jean as Governor General in the Senate.

In 2001 Pierre was the artistic director of "Les Saisons du Québec à New York" presenting more than a hundred artistic events in the Big Apple. As a consequence of the 9/11 tragedy, he produced, directed and created the "Red Cross Fund Raising Show" that took place at the Bell Center in Montreal (multi broadcasted).

In 2002, he started his own event production company on the occasion of Queen Elizabeth's Jubilee. This prestigious event included the direction of more than seven shows across Canada. Pierre Boileau, with a crew of hundreds, directed each of these shows including the broadcast special event of the Queen's Jubilee from Roy Thompson Hall in Toronto. In 2005 he directed the Saskatchewan Centennial Celebration in Saskatoon, in the presence of her Majesty, also broadcasted Canada wide. In 2011, he worked on the Canada Day Shows on parliament Hill. Again her Majesty Queen Elizabeth II attended.

In 2008, for the Quebec 400 celebrations he produced 2 live shows that were also broadcasted in Canada and France. The first show: "Rencontre" was designed for the official July 3rd celebrating the exact date of 400 years (this show won the best musical television show at l'ADISQ).

Pierre has also created and directed many musical variety shows ("Joe Dassin", "From Rock to Opera", "Cinema Show", "Party Time"), circus shows (Cirque Du Soleil, Cirque Éloize, Cirque du Tonnerre). He also produced many big outdoors events ("Fête Nationale du Québec", "Francofolies", "Just for Laughs", "Quebec Summer Festival") and television gala events ("Jutras", "ADISQ", "French Speaking Summit"). He recently produced the television show "Ensemble Pour Haiti", which aired on every French speaking network in Canada.

Elyse & Kerry Jewel

Conceptualists & Creative Producers

Elyse & Kerry Jewel

His Majesty the King of Tonga with Elyse & Kerry at the Anzac Tattoo.

A lifetime of creating entertainment

Both Elyse and Kerry were born into the entertainment industry. And it was appropriate that the legendary Laurel & Hardy were at Kerry's christening.

They worked for two decades as successful writers and performers in both the UK and Australia and in 1985 they commenced their production careers when they developed Australia's first dinner theatres with the Hyatt Hotels in Australia and New Zealand.

In 1985 they created the "Comedian's Co-Op" in Sydney, originally planned as a two months 'fill' it ran for eleven months and toured for two years.

At the Glenn Street Theatre, they produced 4 shows a year all of which toured Australia. In the 1990s they were one of the largest employers of actors and technicians in live commercial theatre. They presented concerts with piano great Roger Woodward. Singing legend Dame Cleo Laine flew to Australia to exclusively appear for the Jewels.

Their adaptation of "Peter Pan" was a massive commercial production that achieved sell out business. At a cost of $12 million it was one of the largest and most lavish productions ever staged in Australia.

They were responsible for "Saturday Night Fever", "The Soweto Gospel Choir", the children's favourite "High 5", "Sleeping Beauty on Ice" and many more. Their Sydney season of "Fiddler on the Roof" with the legendary Topol grossed $5.4 million in its 8-week season.

"The Anzac Tattoo" and "The Tattoo Spectacular" was their creation and the next step on their creative journey.

Elyse and Kerry have undertaken a great deal of work for charity. The International Variety Club of Australia, the greatest children's charity in the world, recognised them with their coveted award for Contribution to Children.

The production will have a 2% revenue stream to a charity that helps children less fortunate than our own

Investor, Sponsor and Strategic Partner Enquiries

For investment discussions, sponsorship opportunities, production partnerships or media enquiries, please contact Kerry Jewel directly.

"My wife and I have been prolific, successful live theatre producers in Australia and SE Asia for almost 40 years."

"Our productions have been seen by 6.4 million people, grossed $486.8 million and facilitated charitable donations of $4.8 million."

Send an Enquiry

Loading Secure Enquiry Form...